Sponsors Dublin City Council Arts Council of Ireland Fire Canon Ireland

Category Archives: Migration Culture

Immigration & Movies

Immigration has long been a popular cinematic theme.
Here you a few recommendations for movies that explore immigration issues:

DRAMA:

The Visitor (2007) 104 minutes, PG-13
In this fictional drama, an American college professor and a young immigrant couple grapple with the treatment of immigrants and the legal process post-9/11. The film makers are using the film to call attention to issues of due process, detention and deportation.

El Norte (1983) 140 minutes, R
Released in 1983 and nominated for an Oscar, the film is a classic. It tells the story of two young Guatemalans (Mayan Indians) who survive a military attack on their village. They make a harrowing journey through Mexico and across the border into Los Angeles only to find that “el Norte” is not all that it’s rumored to be. While fictional, the movie dutifully depicts the real life plight of Guatemalan and Salvadoran refugees of the 1980s, caught between brutally repressive regimes at home and a U.S. that generally refused to grant asylum.

DOCUMENTARY

Papers: Stories of Undocumented Youth (2009) 88 minutes, not rated
This film tells the stories of some of the 65,000 undocumented youth and the challenges they face as they turn 18 without legal status.  These are young people who were educated in American schools, hold American values, know only the U.S. as home and who, upon high school graduation, find the door to their future slammed shut. Without “papers,” it is against the law to work or drive. It is difficult, if not impossible in some states, to attend college. They live at risk of arrest, detention and deportation to countries they may not even remember. Currently, there is no path to citizenship for these young people.

Tony & Janina’s American Wedding (2010) 83 minutes, not rated
After 18 years in America, Tony and Janina Wasilewski’s family is torn apart when Janina is deported back to Poland, taking their 6 year old son Brian with her.  Set on the backdrop of the Chicago political scene, and featuring Illinois Congressman Luis Gutierrez at the heart of the immigration reform movement, this film follows the Wasilewski’s 3-year struggle to be reunited.  With a fresh perspective on the immigration conversation, this film tells the untold human rights story of Post-9/11, that every undocumented immigrant in America faces today, with the power to open the conversation for change.

Dying to Live: A Migrant’s Journey (33 minutes)
A profound look at the human face of the immigrant. This film explores who these people are, why they leave their homes and what they face in their journey. Drawing on the insights of Pulitzer Prize winning photographers, theologians, Church and congressional leaders, activists, musicians and the immigrants themselves, this film exposes the places of conflict, pain and hope along the US-Mexico border. It is a reflection on the human struggle for a more dignified life and the search to find God in the midst of that struggle.

Farmingville (2009) 78 minutes, not rated
The documentary Farmingville tells the story of a suburban, Long Island town named Farmingville that made national headlines in the early-2000s when conflict over a sudden influx of Mexican day laborers tore the town in two. It’s the unique story of one particular town’s response to change and conflict, but it is also a story of unresolved national questions about labor, the economy, and immigration that are probably playing out in your communities, too.

9500 Liberty (2010) 81 minutes,  not rated
Prince William County, Virginia becomes ground zero in America’s explosive battle over immigration policy when elected officials adopt a law requiring police officers to question anyone they have “probable cause” to suspect is an undocumented immigrant. 9500 Liberty reveals the startling vulnerability of a local government, targeted by national anti-immigration networks using the Internet to frighten and intimidate lawmakers and citizens.

The Least of These (2009) 62 minutes, not rated
Detention of immigrant children in a former medium-security prison in Texas leads to controversy when three activist attorneys discover troubling conditions at the facility. Watch free online at SnagFilms. Running time is just over one hour, making this a good film for a discussion night event that can fit into easily into peoples’ schedules.

Sentenced Home (2006) 53 minutes, not rated
Sentenced Home follows three young Cambodian Americans through the deportation process. Raised in inner city Seattle, they pay an unbearable price for mistakes they made as teenagers.

The 800 Mile Wall (2009) 90 minutes, not rated
The 800 Mile Wall highlights the construction of the new border walls along the U.S.-Mexico border as well as the effect on migrants trying to cross into the U.S. This powerful 90-minute film is an unflinching look at a failed U.S. border strategy that many believe has caused the death of thousands of migrants and violates fundamental human rights.

Made in L.A. (2011), 70 minutes not rated
Determined to win basic protections in the Los Angeles sweatshops where they work, three Latina immigrants embark on a three year odyssey that will transform their lives forever. From April 15th and May 31st, 2009, the filmmakers are inviting national organizations, grassroots groups, congregations and individuals across the country to organize screenings, house parties, and actions around Made in L.A. in a nationwide effort to support humane immigration reform. Learn more about the Community Screening Campaign. This film was partially funded through a grant from the Unitarian Universalist Fund for a Just Society.

This list appears at Cooking Together immigration justice blog.
You will find more movies (mostly commercial ones ) at MurthyDotCom web.
And a few more at suite101.

Leave a comment

The Tenement Museum in New York

A photo of 97 Orchand Street in 1930

Photo of Orchard St. tenements by Tenement Museum ca. 1930s

The Tenement Museum in New York tells the stories of 97 Orchard Street. Built on Manhattan’s Lower East Side in 1863, this tenement apartment building was home to nearly 7000 working class immigrants.
They faced challenges we understand today: making a new life, working for a better future, starting a family with limited means.
In recognizing the importance of this seemingly ordinary building, the Tenement Museum has re-imagined the role that museums can play in our lives.

The Tenement Museum preserves and interprets the history of immigration through the personal experiences of the generations of newcomers who settled in and built lives on Manhattan’s Lower East Side, America’s iconic immigrant neighborhood; forges emotional connections between visitors and immigrants past and present; and enhances appreciation for the profound role immigration has played and continues to play in shaping America’s evolving national identity.

THE VISITOR CENTER
& MUSEUM SHOP
103 Orchard Street
p: 212-982-8420

Located on the corner of Delancey Street, the Visitor Center and Museum Shop is where tours start and end, and where tickets are sold.

The Museum Shop carries an excellent selection of books and gifts about New York, immigration and tenements. It is also home to Tenement Talks, a regular series of free readings, performances and book release parties.

The Tenement Museum virtual tour:
http://www.tenement.org/Virtual-Tour/vt_hallruin.html

Leave a comment

Design and Cultural Identity – A Return to Fundamentalism?

David Report is an influential blog and online magazine that since 2006 writes about trends in the intersection of design, culture and business. Their readers share their interest and curiosity in everything from art, architecture, culture, design and fashion to food, innovation, music, sustainability and travel.

Their biannual in-depth reports offer cutting-edge critical thought. The reports are trying to make a difference by challenging the conventional mindset.

One of their reports treats the connection between design and culture and the new cultural strands re-appearing related with the idea of national design focused on authenticity and meaningful use of identity.

Design and Culture have always been closely interrelated, but in many instances design is flaunted as the true measure of culture, rather than belonging to part of cultural context of the society. Design has become the embodiment of a larger process of creative ‘culture-mongering’ that has become a means to capture ideation, innovation and enterprise and made to stand for cultural identity.

The comprehensive scale and the rapid growth of globalism has undermined independent cultural identities, due to the disparate nature of where design and production takes place, and lack of knowledge concerning the true origin of materials and products. This is further confused by a combination of diverse sourcing, and unsustainable methods of labour and manufacture.

In addition, the world financial crisis of the last three years has seriously undermined the traditional sense of culture in the West, giving rise to a myriad of niche sub-cultures. Niches that are primarily sourced and transacted digitally over the Internet, and whose origin and sourcing are both hybrid and the result of fusion. These products are largely concealed in processing and fabrication techniques, and are non-brands that are camouflaged.

However, there are signs that despite this confusion and fusion of cultural identities, new cultural strands are being revived and are re-appearing. Some are intended and strategically driven, and some indirect reactions to the desire to reclaim a more long lasting cultural integrity. There has been a return to a type of ’Cultural Fundamentalism’ which has been prompted by a reconsideration of the roots of national design in Europe, led by Dutch Design, and more  recently by Flemish and Scandinavian Design. With new Swedish Design in furniture and product leading areas of sustainability, use of materials and relating to areas of cultural nostalgia and design anthropology.

You will find full version of David Report’s article here:
http://davidreport.com/the-report/design-culture-time-cultural-fundamentalism/

Leave a comment

Yael Bartana – “And Europe Will Be Stunned”

And Europe Will Be Stunned (2011) is the compelling trilogy of films made by Israeli artist Yael Bartana, which premiered at the 54th Venice Biennale last year, making Bartana the first non-national to exhibit in the Polish Pavilion. Revolving around the activities of the Jewish Renaissance Movement in Poland, a group that calls for the return of three million Jews to Poland, Bartana’s films traverse a landscape scarred by the histories of competing nationalisms and nightmares across Europe and the Middle East.

Bartana expertly mixes imagery reminiscent of the historical past with the present, and raises questions of identity and belonging, leaving us to pause and question our own concepts of home and homeland.  In raising these questions regarding the complexities of cultural integration, interwoven with reality and fiction, her films challenge us to question our own understanding and acceptance of historical events.

Her film trilogy – Mary Koszmary (Nightmares) (2007), Mur i wieża (Wall and Tower) (2009), Zamach (Assassination) (2011) -  is on view from 24th of March until 26th of August 2012 in Van Abbemuseum in Eindhoven – The Netherlands.

Visiting address:
Bilderdijklaan 10
5611 NH Eindhoven
The Netherlands

You can also attend the upcoming symposium on 18th of May at the Whitechapel Gallery in London – ‘And Will Europe Be Stunned?’ – which opens up the debates sparked by these highly ambitious and contentious films: beginning with a keynote paper from Gil Hochberg, Professor of Comparative Literature at UCLA, there will then follow a Q&A with the artist and a panel discussion with Joanna Mytkowska, Director of the Museum of Modern Art in Warsaw, and Jacqueline Rose, Professor at Queen Mary University.

22 May – 1 July 2012
Hornsey Town Hall
Crouch End, London

This event has been organised with the support of the Polish Cultural Institute. Tickets are available from the Whitechapel Box Office.

For those who are interested in the full version of the interview with Yael Bartana for Louisiana Museum we attach the link:

http://www.youtube.com/watch?v=xjUToEWrFLI

Leave a comment

101 Diasporas: Artists of Chinese Descent in Britain

101 Diasporas is the title of a project, incorporating an imminent publication and an online gallery and database, which has been undertaken by Sajid Rizvi with financial assistance from Arts Council England. The project is conceived

, designed, authored and curated by Sajid Rizvi, Publisher and Founding Editor of Eastern Art Report and Eastern Art Report Online.

101 Diasporas explores, examines and highlights the work of several generations of the artists of Chinese descent who are or have been resident in the United Kingdom. The project supplements the pioneering work already undertaken by EAR in the field.

Not only has each artist an almost unique story to tell of his/her artistic career–as no doubt can be expected–but also that each has a singular sense of belonging or not belonging, or what it means to be in diaspora.

Most remarkably, artists who have been born and brought up in Britain also feel that they are in a state of diaspora. Why? The purpose of the project is to bring together their stories, to publish them and to bring to global attention the work of these practitioners of art.

Are you a 101 Diasporas artist?

If you are a practicing artist based in Britain or have spent significant amounts of time in Britain and would like your work to be included in the project, please send an e-mail to Sajid Rizvi, or write to him at:
For more information write to:
Eastern Art Report Online
EAPGROUP International Media
P O Box 13666
London SW14 8WF
United Kingdom

Leave a comment

Quiet crossings, Kinship, and Intimacy in Lebanon and Northeast Syria

ed, Beirut 2010″ src=”http://2012.photoireland.org/mb/wp-content/uploads/2012/04/Untitled-Beirut-2010.jpg” alt=”Two migrant workers in Beirut” width=”610″ />

Untitled, Beirut 2010, by George Awde

George Awde, an American-born artist of Lebanese descent, is a photographer and educator who works in the US and Beirut. He received his BFA in painting from Massachusetts College of Art in 2004, and in 2009 he received his MFA from Yale University in photography. His work has been exhibited internationally.

In this exhibition, Awde offers viewers painstakingly detailed photographs rich with quiet emotion that implicate the complex relationship between the body and labor migration in Lebanon.

The history of labor migration between Syria and Lebanon reaches back to the 1950s and 1960s, and is redolent with coercive tactics that marginalize laboring bodies within low skill service work. Rather than simply depicting this dichotomy between privileged and laboring classes, attempting to recuperate the nobility of laboring bodies, or relying on an often-exploitative strategy to feature the laboring bodies in the act or setting of their work, Awde’s exhibition highlights their quiet and oft unexceptional pathos. In doing so, he showcases the intimacy shared amongst these men to offer a poetic reflection on community.

http://georgeawde.com/

 

Leave a comment

Migration Music Festival in Taiwan

The marriage of music and activism

Migration Music Festival in Taipei features a diverse program based on a multicultural blending of music that occur naturally through the migration and interaction of ethnic groups. The program includes mu

sic, film screenings, workshops and seminars whose foundation is to encourage respect and tolerance among all peoples. The international festival showcases folk and traditional music from diverse cultures where migration and exposure to cultural arts has fostered a rich offspring of honoring both diversity and commonalities.

“Festivals can be used for people to celebrate different ethnic identities in the world and they can also address the mistreatment of minorities in society,” said Jihong – the festival founder. “There are so many different cultures in the world and this is a good way to engage people from various backgrounds.”

“It is this kind of attitude that prompts people to get involved and volunteer in grassroots activities,” she said. And it is the same attitude that prompted Jihong to launch the first Migration Music Festival in 2001.

“Our aim is not just a party with music but to involve people to encourage more educational activities.”

The 2011 Migration Music Festival (MMF) organized lectures, concerts, documentary films, workshops, travelers’ tales and installation art shows at the Taipei Zhongshan Hall, Taipei Artist Village, and Chiayi Performing Arts Center.

Hopefully this year, in autumn, we will repeat the experience of migration music in Taiwan!

http://www.treesmusic.com/festival/2011mmf/index.htm

Leave a comment

Chinese Diaspora by Pok Chi Lau

“>Black and white photo of two Chinese prostitutes in Hong Kong

Prostitutes in Shen Zhen, a border city north of Hong Kong. Images © 2003 Pok Chi Lau. All rights reserved.

Pok Chi Lau has focused on the contemporary cultural and social transformations brought about by human migration. Through photography, writing and video he seeks to illuminate the impact of global migration upon the private lives and social environments of the Chinese people, both in the Chinese homeland and their adopted environs. To understand the Chinese Diaspora is to acknowledge the significance of human patterns of global migration as they shape individual experiences and emerging cultures.

 

 

1 Comment

Afghan migrants in Paris- photos by Mathieu Pernot

buying viagra online

mathieu_pernot_theredlist.png” alt=”Afghan migrant covered with blanket on the bench in Paris” width=”610″ />

This series of photos made by Mathieu Pernot was realized in Paris, by Villemin Square where many Afghan migrants gather. Invisible, silent and anonymous, reduced to their simple forms, they sleep and hide themselves from the public gaze, with drawing from a world which no longer wants to see them. Both present and absent they remind us of the bodies found on the battlefields of a war we no longer see.

 

Leave a comment

Sebastiao Salgado – Photography – Migrations

Sebastiao Salgado photobook - "Migrations" cover

Sebastiao Salgado photobook – “Migrations”

In the book Migrations, Sebastiao Salgado turns his attention to the staggering phenomenon of mass migration. Photographs taken over seven years across more than 35 countries document the epic displacement of the world’s people at the close of the twentieth century. Wars, natural disasters, environmental degradation, explosive population growth and the widening gap between rich and poor have resulted in over one hundred million international migrants, a number that has doubled in a decade. This demographic change, unparalleled in human history, presents profound challenges to the notions of nation, community, and citizenship. The first extensive pictorial survey of the current global flux of humanity, Migrations follows Latin Americans entering the United States, Jews leaving the former Soviet Union, Africans traveling into Europe, Kosovars fleeing into Albania and many others. The images address suffering while revealing the dignity and courage of the subjects. With his unique vision and empathy, Salgado gives us a picture of the enormous social and political transformations now occurring in a world divided between excess and need.

Black and white photo of Church Gate Station, Western Railroad Line, Bombay, India

Church Gate Station, Western Railroad Line, Bombay, India. © Sebastião Salgado The J. Paul Getty Museum, Los Angeles

Leave a comment

Page 2 of 3123

Stay informed!

Subscribe to PhotoIreland's email list and stay informed of news, events, and competitions. Follow this link »